Innovative Exploration of the National Opera Yimeng Mountain: Historical Reconstruction, Aesthetic Paradigms, and Resonance with the Times
历史重构、艺术范式与时代共振——民族歌剧《沂蒙山》的创新性探索
Li Hengchang
李恒昌
Abstract: In the context of strengthening cultural confidence and inheriting red revolutionary genes in the new era, the national opera Yimeng Mountain has emerged as a benchmark for revolutionary-themed artistic creation through its groundbreaking artistic practices. Drawing upon the theoretical frameworks of historical philosophy, dramatic aesthetics, musical semiotics, and cross-cultural studies, this paper offers an in-depth analysis from the perspectives of the micro-translatability of historical memory, the tripartite structure of dramatic tension, the genealogical construction of a multidimensional character ensemble, the interdisciplinary fusion of musical language, and the cross-cultural dialogue of artistic forms. The study reveals that the opera transforms historical reality into aesthetic truth through "non-fictional narrative," activates profound dramatic tension via the triadic conflict of "ethics–survival–humanity," constructs a community of shared destiny between the army and the people through a "pyramidal" character structure, achieves a modern integration of folk song genes with operatic form in its musical composition, and transcends traditional aesthetic boundaries through the creative interplay between Chinese operatic conventions and Western dramatic theory. Its success demonstrates that revolutionary-themed artistic creation must be grounded in historical rationality, driven by humanistic depth, and propelled by interdisciplinary innovation, thereby providing a universally applicable paradigm for the modernization of national opera.
摘要：在新时代文化自信建设与红色基因传承的语境下，民族歌剧《沂蒙山》以其突破性的艺术实践成为红色题材创作的标杆。本文以历史哲学、戏剧美学、音乐符号学与跨文化研究为理论框架，从历史记忆的微观化转译、戏剧张力的三重架构、立体人物群像的谱系建构、音乐语言的跨界融合、艺术形式的跨文化对话等维度展开深度阐释。研究揭示，该剧通过“非虚构性叙事”实现历史真实向审美真实的转化，以“伦理——生存——人性”三重矛盾激活戏剧深层张力，借助“金字塔式”人物结构构建军民命运共同体，在音乐创作中完成民歌基因与歌剧形式的现代性融合，并通过戏曲程式与西方戏剧理论的创造性互鉴突破传统审美边界。其成功印证了红色题材艺术创作需以历史理性为根基、以人性深度为内核、以跨学科创新为动力，为民族歌剧的现代化发展提供了具有普适性的范式参照。
Key words: national opera; Yimeng Mountain; red narrative; artistic innovation; cross-cultural integration; aesthetic paradigm
关键词：民族歌剧；《沂蒙山》；红色叙事；艺术创新；跨文化融合；审美范式
中图分类号：J822，J617.2 文献标识码：A 文章编号：2832-0317（2025）02-0125-7
DOI：10.12424/HA.2025.041 本文链接：https://www.oc-press.com/HA-202502-125.html
